However, as we called a chapter title in Cone Ten Down. Indeed, prior to the Anglo-oriental era the earliest studio ceramics in this country were made by women. Although, there were some immigrant, industrially trained men who came to start, or work in, our infant clay industries, as early as the mid-1800s. The pioneer women in the early 20thC had no books such as. All was displayed, at eye level, on and in specially.

Garland is a platform for thoughtful writing about objects that reflect tradition, skill, creativity and place. By subscribing now, you can help build a rich resource of narrative, history and analysis that reveals what we make of our world. What we can learn from the JMGA-NSW conference. The organisation of the JMGA conference in Sydney this year was a model of good social design.

What we make of our world. 8216;Culture is not only a heritage, it is a project. The stories behind what we make. A network of artisans, designers and users. A south-south dialogue of ideas. A History of Australasian Contemporary Jewellery. Objects that connect people together. Nalda Searles and the poetics of infestation. The journey home from the working week.

The Urgency of Our Time. The Remarkable Beauty in Disaster. No Part is Immune From the Changes of its Counterparts. Collaboration, Continuity and Community. New Perspectives in Environmental Art.